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Fondazione Collegio San Carlo | Collegio San Carlo Foundation                                                                                   115







               ish Hall for the spiritual exercises of the Congregation. In the following
               years, the building underwent a slowdown because of the presence of
               archeological findings and of technical problems related to the flow of
               the Modonella and Canalino rivers right in the area where the buildings
               stood. Nevertheless, the Congregation continued to grow thanks to the
               conspicuous number of bequests and donations and to the forfeiture of
               the Opera Molza. Shortly thereafter, the Tomasi and the Giovanni Paolo
               Brizzi properties were included in the Congregation’s possessions.
               Brizzi, who was also an active member of the Congregation and a mem-
               ber of the Art of Silk Congregation, was not satisfied about the projects
               commissioned to the other architects. As a result, he asked and obtained
               permission from the Duke Francesco I to commission the project to
               Bartolomeo Avanzini (1608-1658). He had also been commissioned
               to build the Palazzo Ducale by the Municipality. The architect Avanzini
               created a project consisting in the construction of a building around an
               already-existing court, partly porticoed and already owned by Molza. The
               main entrance was located on the most secluded facade of the building, i.e.
               Via San Carlo. The façade on Via Emilia was characterised – in Avanzini’s
               project – by another porch, in turn sustained by Doric columns made of
               Verona stone and created by the architect and sculptor Tommaso Lorachi.
               Under the porch there were some artisans and commercials’ shops, which
               represented one of the sources of income of the Collegio.
               In order to create this façade,  Avanzini thought of something that
               would complement the architecture of the city’s arcade represented by
               Via Emilia. He decided to pursue this aim by designing an airy façade
               without any particular decorations, with a simple but elegant colonnade.
               The gatehouse, the visitation hall and the first residence of the Dean
               were situated on the left side of the entrance in Via San Carlo. On the
               right side of the building towards the church, the construction of which
               had started in 1664 there was the fencing room and the major stairway,
               which was completed in 1677. Before the construction of the first flight









                                                            Il portico del Collegio, Modena   Collegio’s porch, Modena
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